Crime drama “The Killing” concludes its third season on AMC in just two weeks and viewers have seemed to welcome the show’s second coming on the network with consistent yet modest ratings. The introduction of new characters and storylines has breathed new life into the series, which was briefly cancelled last year after wrapping up a two season story arc of the murder investigation of a teenage girl. Season three saw a much-needed overhaul in characters and storylines; in fact, none of the original stars of the show returned for the new season besides the series’ two leads: Detectives Sarah Linden and Stephen Holder played by Mireille Enos and Joel Kinnaman. And while the first two seasons might have overused the term red herring, it kept viewers on the edge of their seats until the gut wrenching reveal of “who killed Rosie Larson.”
A year after the Larsen case, Detective Linden returns to Seattle to help her old partner, Detective Holder, search for a serial killer who preys on Seattle’s runaways and whom Linden also believes is responsible for killing a woman whose husband she had wrongfully convicted. This season’s main story is very reminiscent of the Green River Killer, who was infamously convicted of raping and strangling 48 prostitutes in the Seattle area. The prison, street kids, and central murder investigation of this season interweaves more appropriately than the previous two seasons of the campaign, the Larson family, and the central murder investigation. Not only that, but it was difficult to see what stories were left to tell once “The Killing” was cancelled; however, what was created feels almost like a continuation of the last story arc considering it was mentioned before.
Perhaps the best episode to date was the season two finale in which we are finally introduced to Rosie Larson, the murdered teenager, and slowly find out how she spent her final hours. The best parts of “The Killing” are the scenes involving monologues from characters who are dealing with either a child’s death or disappearance and seeing how certain characters deal with these situations proves most compelling. After cancelling the Emmy nominated series last year, AMC decided to renew the show for a third season by partnering costs with Netflix and allowing them to have the show available online. This season has been averaging 1.5 million viewers, which is slightly down from the previous season, but critics have applauded the show’s continued slow pace and ominous tone.